In case you missed the breaking news, the rapper Jay-Z, father to the most anticipated baby of the decade (at least until Kate and William get around to things) made a poetic announcement yesterday. (Really, he announced it in a poem.)
He will no longer use the word "bitch" to describe women.
I'll let him describe his epiphany:
Before I got in the game, made a change, and got rich/ I didn't think hard about using the word bitch/I rapped, I flipped it, I sold it, I lived it/Now with my daughter in this world I curse those that give it.
There's more, including:
No man will degrade her, or call her name/I'm so focused on your future, the degradation has passed/ I wish you wealth, health and insight/Forever young you may pass/Blue Ivy Carter, my angel.
Sweet.
In a hypocritical and late to the party kind of a way.
Jay-Z is not the first man to realize he has been a misogynistic jerk only after he has a daughter.
Why? Researchers theorize that "a switch flips" in the CEO daddy's head, "making him more sensitive to gender issues."
That same switch might flip some of a father's political views, too. A study of the voting records of US Congressmen found that those with daughters voted more liberally on issues of reproductive rights, flexible work policies and funding for education. And data on British families found that fathers with three sons and no daughters were far more likely to vote for conservative candidates than were fathers of three daughters and no sons.
"Daughters make people more left-wing, while having sons, by contrast, makes them more right-wing" the author of that last study, Andrew Oswald of the University of Warwick said when it was released in 2009.
I'm not sure whether calling women names is a left-wing or right-wing thing, and I am glad that, for whatever reason, Jay-Z has decided to stop. It would have been better though, if he'd never started in the first place; never written lyrics like "I don't love 'em I fuck 'em, I don't chase 'em I duck 'em, I replace 'em with another one"; or if he had been so moved years ago out of respect for, say, his mother, or his wife, or 50 percent of the population.
Since no apology was offered anywhere in this latest poem, then I feel no need to accept one. But I do congratulate the Carters on the birth of their little girl. And I wish them a little boy someday, too, so that Jay-Z has the chance to raise him into a man who respects women from the start.
For the launch of his autobiography, hip-hop's premiere entrepreneur turned marketing into interactive art and a scavenger hunt that rewarded his die-hard fans. Here's an exclusive peek inside Jay's bag of tricks.
On Kanye West's new song, "So Appalled," Jay-Z raps, "I'm so appalled, I might buy the mall, just to show [...] how much more I have in store."
As Jay's protégé's album dropped this week (and leaked much earlier on the web), Jay himself was revealing what he'd long had in store for the publishing world: a game-changing marketing plan for his autobiography, Decoded, itself a groundbreaking book.
Beyond a mere collection of stories--which many readers would find plenty tantalizing--Decoded is also a rap Rosetta Stone. Listeners can literally decode Jay's lyrics on 11 studio albums to unlock new details about the 40-year-old's personal history. The marketing for the book took the idea further, mashing up old-school billboard advertising, new-school social media, mobile apps, and more for an interactive game that let players unlock pages of the book and enter to win concert tickets and memorabilia. Jay's corporate partners, meanwhile, scored a fortune in buzz.
Jay initially hooked up with the creative agency Droga5, who conceived, created, implemented, produced, and delivered the campaign with the help of Microsoft search engine Bing. Droga5 slapped all 320 pages of Decoded in various blown-up sizes on some unexpected surfaces: a rooftop in New Orleans, a pool bottom in Miami (above), cheeseburger wrappers in New York City, a pool table in Jay's 40/40 Club, and many more.
Fans could log on to bing.com/jay-z between Oct. 18 and Nov. 20--last Saturday--and follow clues to Bing Maps locations and real life places where text from the book was blown up bigger than life or layered onto a guitar, onto records in jukeboxes, or onto a 1980s Cadillac parked in front of a Run-DMC mural in Queens. The most dedicated followers could read the whole book for free weeks before it came out. Plus, anyone who unlocked a page online or in person (by texting a code located on the physical page) was entered to win that page signed by Jay-Z or tickets to a Jay-Z/Coldplay New Year's Eve concert in Las Vegas.
Then, at the very last minute, Bing and Droga5 decided that one lucky person who'd decoded all 200 clues using Bing Maps would get The Jay-Z Lifetime Pass, a golden ticket of sorts, good for admission for two to any Jay-Z concert anywhere on the planet for life.
"We heard a story through our Facebook page of a woman, a lawyer, who more or less hired a team of six or seven people who all scouted through the clues," Bing General Manager Eric Hadley tells Fast Company.
The average time it took to decode the online clues was a little more than five minutes, he says. But it was the repeat visits that Hadley says were such a boon to Bing.
To get the whole book, "you had to go into Bing Maps and interact with Bing up to three times a day," Hadley says, adding that the behavior helped visitors "break the habit" of using other search engines.
Jay-Z was a natural match for the so-called "decision engine," Hadley says: "We've had a pretty long history with Jay-Z. He was the focus of a conference we did at Microsoft. We introduced him to Bill Gates a while ago."
And beyond the artist's penchant for dropping locations, Jay aligned with Bing's users. People ages 18 to 24 consume 61% more search pages online than the average Web user. African-American Web surfers view 29% more search pages. Affluent African-Americans are more likely to use Bing as their primary search than Google, Hadley says. And users who listen to hip-hop at least once a week consume 19% more search pages online in any given month than the general population.
Jay, himself, remained intimately involved in the clues, too, Droga5 CEO Andrew Essex tells Fast Company. "He was actively involved in writing and vetting the clues. Alarmingly so." He'd suggest more or less specificity at times or recommend references to different places or events.
At least one clue came solely from Jay, Essex says: "Ironically, Jay has never been spotted eating pork in this establishment." (Answer below the picture of the pages on plates in that place.)
As part of a scavenger hunt used to market his autobiography, the hip hop mogul hooked up with the creative agency Droga5 and Bing and hid all 320 pages ofDecoded in plain sight in 13 cities: on a rooftop in New Orleans, a pool bottom in Miami, cheeseburger wrappers in New York City, and more. Fans who found them all got a chance at two tickets to any Jay-Z concert anywhere, for life. Here's a look at 32 of the pages.
With a range of media across NY and the world, bus shelters, phone boxes, metro-lights and city walls became a canvas for Jay-Zʼs words.
Miami Pool
At the Delano hotel launch event in South Beach, a page dedicated to the lavish lifestyle of the hip-hop artist was revealed at the bottom of the iconic pool and on towels surrounding the lounge area.
Times Square Billboard
A three-billboard stack revealing the bookʼs introductory pages were released throughout the campaignʼs four-week period.
London Tube Station
Pages that highlighted Jay-Zʼs experiences abroad were put in the cities where the events happened. For instance, this page was found in the London Underground.
New Orleans Roof
A page dedicated to the Hurricane Katrina disaster placed on a roof in downtown New Orleans.
Jukebox
Jukeboxes all over New York City were used to display pages about Jayʼs musical influences.
Gucci Jacket
Jay-Z stunned his fans by revealing a black leather Gucci for Decoded jacket. The masterfully stitched page handcrafted by Gucci's lead creative, Frida Giannini, is custom-tailored to Jay-Z's measurements and holds song lyrics mentioning the Italian clothing icon.
Black Shack Burger
Black Shack, a burger joint on Lexington Ave in Manhattan, was the location of a page mentioning a personal experience Jay had with Memphis Bleek and bacon cheeseburgers. To bring the story to life, the page was printed on the foil wrappers covering the special order bacon cheeseburgers and given to fans upon request.
GLEASONʼS GYM
The pages found in a famous boxing gym in Brooklyn called Gleasonʼs highlighted Jayʼs love for the sport.
Guitar
This guitar, found in a local music store in NYC, hosts song lyrics referencing music influences outside the bounds of traditional hip-hop.
Las Vegas
The broken hearts of Las Vegas found this page stretching above the strip.
Plexi
A clear, freestanding page made of Plexiglas, overlooking the downtown NYC skyline was located on the Brooklyn piers in Red Hook. One of the more meaningful pages, it holds content about the potential of hip-hop and where itʼs headed in the future.
The Spotted Pig
These pages were dropped in one of Jay-Z's very own business ventures. The Spotted Pig, known for its cozy atmosphere and cool memorabilia, was used in a variety of different mediums to celebrate the book's content. Pages were found on tablecloths and mirrors highlighting Jay-Z's personal experiences dining with the world's most influential people.
Pool Table
This custom pool table was designed specifically for the campaign and was placed in the 40/40 Club in New York City. The page is all about the hustle of the hip-hop world and how it translates into other parts of life, in this case, a game of pool.
Cadillac
Jay-Z shook the borough of Queens with his pages dedicated to Run DMC, the hip-hop legend of Hollis. A 1982 vintage Cadillac Seville, decked out in pages 8 & 9, was showcased as a tribute to the hip-hop OGs on their very own Run DMC Way. The book content included various Run DMC and Cadillac references and covered the car from trunk to hood in recognition of the influence that the hip-hop foreman had on Jay-Z's music.
Basketball Backboard
This page was created as a basketball backboard in his old neighborhood near the Marcy Projects. The pages hold the song lyrics to "Where I'm From," a dedication to the unforgiving lifestyle of the thug in the streets of Bed-Stuy Brooklyn.
Fireplace and Escalator
The lyrics to “Lucifer” were revealed at two interesting locations. The first page-spread was situated in front of a fireplace at the Royalton Hotel. Flames from behind the clear, freestanding page brought the content to life while symbolizing the internal struggle between good and evil. The second “Lucifer” spread was found at the famous escalator in the Hudson Hotel lobby, where visitors traveling up and down experienced the song's metaphor firsthand.
Plaque
A bronze plaque, molded with the content of the first two pages of the book, was placed adjacent to the housing projects Jay-Z grew up in. The content poetically details the scene of his childhood: the rap battles, the playgrounds, the crowded streets.
Nets Jersey and Banner
A custom Nets jersey, complete with the content of page 86, was hung with the famous sports memorabilia lining the walls of the 40/40 Club. In the same week, a banner embroidered with the content of pages 142-143 was placed in the rafters of the Netsʼ very own Prudential Center. The pages alluded to Jay-Z's love of basketball, investment in the Nets, and the commonalities between sports and the hustle of the hiphop game.
Newspaper
Two pages dedicated to the mourning of rappers Notorious BIG and Tupac were found at newspaper stands in their respective east and west coast cities, New York and Los Angeles.
Counterfeit Book
A page mentioning Jay-Z's frustrations with music bootleggers was found in the form of a counterfeit book distributed by a street vendor near Canal Street in Manhattan.
Bike
A page mentioning Jay-Z's early childhood bike riding experiences was showcased on a custom bike in a shop located near his old neighborhood in Brooklyn.
Apollo Theater
A page was revealed on the stage curtain of the Apollo Theater on Amateur Night. The content was a tribute to the iconic theater and the historic Harlem neighborhood it represents.
Records
Each chapter title page was printed as a record cover and placed in record stores around NYC.
As Cannes judges shortlist their Lions, we talk with creatives about the key decisions that helped them transform their visions into award-worthy campaigns. Here, Droga5 copywriter Adam Noel and art director Jon Kubik discuss the Jay-Z Decoded campaign, which just took home the Outdoor Grand Prix at the Cannes Lions.
For the release of Jay-Z’s Decoded, agency Droga5 broke new ground in outdoor advertising, media strategy, and open source publishing by releasing each of the memoir’s pages into the world before the book hit stores.
The Decoded campaign was actually a dual client brief, Droga5 was charged with creating an integrated campaign for Microsoft’s Bing at the same time as the agency got the brief to launch Hova’s first book.
The idea: Put every page of the book into a real world location that in some way spoke to the content on that page. So, while some pages were splashed on billboards, others turned up in less expected locations--like the bottom of the pool at Miami’s Delano Hotel, on pool tables, in the lining of suits. (You can see 32 of the locations in this slideshow.) The campaign also included a Bing Maps-enabled scavenger hunt, allowing the audience to uncover clues as to the location of each page.
Here, Droga5 copywriter Adam Noel and art director Jon Kubik discuss some of the turning points in the multi-faceted campaign, which just took home the Outdoor Grand Prix at the Cannes Lions.
1: Have two client briefs and one big idea. We almost made this impossible for ourselves right from the get-go, agreeing to take on two very different yet bold briefs and then coming up with one big idea that united them into a joint campaign. It was a balancing act for us, with twice as many opinions from two powerful corporations that usually get what they want, no matter what. RocNation and Microsoft are big brands, big reputations, big money. We needed to be nimble in order to make sure both clients were continuously obliged and at the same time respectful of our vision. Each needed the other and the idea was made all the better by the joint ambitions.
2: Keep the idea pure. The core idea was to drop every single page of the book out into the real world and then create an online experience that used Bing search and Bing Maps for people to locate all the pages. But the decision that really took it up another notch of difficulty was our choice to put the pages only in locations that were relevant to the content on each page. In essence, we couldn’t just buy a mass load of media and throw all the pages out in one hit like most campaigns do. There had to be a strategy and plan for each and every page; 300-plus media strategies all aimed to tell Jay-Z’s story right where it happened. And often the appropriate media just didn’t exist in these specific locations. As a result we had to create our own media. From a vintage Cadillac wrapped in pages paying homage to the birthplace of New York hip-hop, to a 50-pound bronze plaque in the Marcy projects commemorating Jay-Z’s childhood. The unique placements covered hundreds of thousands of square miles around the globe and were released daily for a month with a collection of scrutinized Jay-approved clues leading to each location [At least one clue was the sole creation of Jay himself, Droga5 CEO Andrew Essex told Fast Company recently: "Ironcially Jay has never been spotted eating pork in this establishment"--a reference to the Manhattan bar and restaurant The Spotted Pig, which Jay co-owns.] The book launch was a month of non-stop executing that constantly changed for Random House's book edits, vendor capabilities, and budget. In the end, it was our willingness to change tack along the way (without compromising the idea) that saw the campaign such a huge success for all. With that said, not everything went to plan all the time, but our intent and drive made up for any hurdles.
3: Put your life aside for 6 months and hope your loved ones understand. Six months went by without seeing the people that matter most. Some nights we didn’t come home, and when we did, our significant others were already asleep. But in the end, the success of the campaign far overcame the painstaking efforts during production, and we wouldn’t take any of those nights back for the prospect of getting laid.
On the eve of what would have been Tupac Shakur's 40th birthday, an imprisoned man has admitted to shooting the late rapper/actor during a robbery at Manhattan's Quad Studios in November 1994. What's even more startling is that the alleged triggerman, Dexter Isaac, is claiming in a letter that was obtained by AllHipHop.com that 'Pac's former associate, Jimmy "Henchman" Rosemond, paid him $2,500 to do the deed.
While this may be a revelation to some, 'Pac's former protégé and Outlawz member E.D.I. Mean told MTV News that he was well aware.
"It's not news for us, because this is information that we been had and that been knew about. And we always knew that it'll come out one day, because what's done in the dark always comes to light," he said before pointing to Shakur's music as proof. "I just feel like it's verification for what 'Pac said, because a lot of people felt when 'Pac was saying what he was saying on Makaveli that he was out of line for saying that."
The specific lyric E.D. is referencing is from "Against All Odds," a fiery track that appeared on Tupac's The Don Killuminati: The 7 Day Theory album (commonly referred to as the Makaveli album). On the song, the now-deceased MC implies that Henchman set him up in 1994 as he raps: "And did I mention promise to pay back Jimmy Henchman in due time/ I know you bitch n---as is listenin', the world is mine/ Set me up, wet me up, n---as stuck me up/ Heard the guns bust, but you tricks never shut me up."
Ultimately, E.D.I. Mean believes that Isaac's confession will eventually help the authorities solve the 1996 murder of Shakur as well as the 1997 shooting death of the Notorious B.I.G. — two crimes that many feel are related. "This will go on for a little bit longer, and I really feel like it's a domino effect," he said. "This will really lead up to their actual murderers. Both Big and 'Pac and everybody can move on, and this will be like some closure for not only the families, but the whole hip-hop community, because it's been an open wound since 1996 and 1997."
In a 2008 interview with MTV News, Rosemond denied any involvement in the 1994 shooting and dismissed the song as a shock tactic that rappers often use. "Absolutely never [had I] even know about it, never heard about it — before, afterward — had nothing to do with it," Rosemond added about the ambush. "Nobody that I know [was] associated with [the attack], and this is why I have confidently, in the last 14 years, told people that they can dig up whatever they want to dig up. And I've been very firm in what I've said to people: that I've had nothing to do with it."
Isaac, who is currently serving life in prison for murder, robbery, fraud and witness-intimidation charges, tells a different story. "I want to apologize to his family [Tupac Shakur] and for the mistake I did for that sucker [Jimmy Henchman]," Isaac told AllHipHop.com from prison. "I am trying to clean it up to give [Tupac's and Biggie's] mothers some closure."
Rosemond himself is facing legal trouble. On May 17, news broke that federal authorities issued an arrest warrant for Henchman in connection with a drug case. Henchman, who runs Czar Entertainment, a company that manages the career of the Game and other rap artists, fired back in a letter, lashing out at the "slanderous media" coverage he has received about the case. He also went on to call out Isaac's credibility. "If the government is relying on informants like Winston 'Winnie' Harris, a convicted drug dealer and Jamaican deportee, who came to me and motioned via hand signal that he was forced to wear a wire and begged me to skip town, or Dexter Isaac, who is serving life in prison plus 30 years, then I'm sure I will not be offered a fair trial."
The message of music mogul Russell Simmons' latest book, "Super Rich: A Guide to Having It All" (Gotham), may seem contradictory: A person can become "super rich" by reaching the state of needing nothing.
Simmons, the self-made millionaire often credited for putting hip-hop on the map with Def Jam Recordings, is one of the wealthiest black Americans in the country, but he argues a person can become rich not by obsessing about money but by giving to others.
Being rich is about finding the happiness inside, he says.
Slender and with a kind smile, the 53-year-old still looks youthful, part of what he attributes to a strict vegan diet he embraced 10 years ago.
"The last book helped change so many people's lives. I wanted this one to do the same," he says of the new book he co-wrote with Chris Morrow. (His previous one, "Do You! 12 Laws to Access the Power in You to Achieve Happiness and Success," also co-authored by Morrow, became a New York Times best-seller upon its release in 2007.)
The following is an edited version of our interview:
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CNN: What does it mean to be rich?
Russell Simmons: The idea of "Super Rich" is likened to a state of yoga, being in a state of needing nothing. There is this space where you are awake, a heightened awareness, and this kind of space is very attractive.
The title is a little deceptive to some. It certainly is the road to having success in the world, having the toys, the trappings people refer to as rich. (It's also about) those people who are good givers and feelers -- the book practices to bring you toward a more enlightened state.
CNN: Has your definition of rich always been this way?
Simmons: No, I think "Super Rich" is a fun title, and I think I couldn't call the book "Christ Consciousness." It's really about being in a blissful state, and I think all of us are looking for that.
Simmons' first job was at a Orange Julius
CNN: What is that blissful state?
Simmons: I think the idea is we want to be happy, and happy is something that is not based on the outside forces. It's something from inside. And when you're calm and you're in a state of needing nothing, it's a place of operation and of abundance.
CNN: Do you think you've reached that state?
Simmons: I certainly can't say I'm enlightened. I have faith in the process.
CNN: Why did you write the book?
Simmons: This is my second book on the subject. The last book was a big best-seller. It was fun bringing all the scripture together and making it simple and putting the book out. I never expected it to be so big. So many people from the last book -- "Do You!" -- came up to me and told me that my book changed their life.
I wrote this book more as a "how to" book but with a greater intention. It was not just -- can I bring these teachings together but can I really make it an offering.
CNN: What are some of these teachings people can incorporate into their everyday life?
Simmons: The idea of giving. Wake up in the morning and decide on what you are going to give. Those people, who are selfless servants, always are successful. Many of my interns from Puffy, who you could put your left hand out and there would be a cup of coffee. ... If you make someone better, then they keep calling on you to make them better. Then one day you're their president, and they look to you for inspiration.
Watch Simmons on the benefits of giving
CNN: What are the ways you give?
Simmons: I run many charities. I make music. I have a financial service company that is very special.
Watch Simmons talk fashion
CNN: The book talks a lot about being focused and awake. How can we do that?
When I say you need nothing, it's a state of awareness so you can be focused on your work. People are sometimes focused on their results, and it can be a distraction. Be focused on the action, the work, and that's what we want to teach people.
CNN: People can often link success to material objects, perhaps a new car or house. How do you break away from that belief when so many people are inundated with material objects?
Simmons: There is a simple chapter on meditation to watch your thoughts just a bit -- to not to be a sheep through that practice and other practices. You start to think on your own, and you can check what society is telling you, whether the collective unconscious behavior is your behavior or your future. Do you have to do what everyone does?
As you come to meditate and look inside, you can make your own choices. And entrepreneurs absolutely have to think outside the box, don't they? You want to have the creativity and a spacious mind. The book is about creating that kind of mind-set so you can be a better entrepreneur.
CNN: Meditation is one way to achieve that clarity. Are there other ways?
Simmons: Take stock in yourself. When you meditate, you take inventory before you transcend the thoughts. As you come to know what they told you is true ... when you hear the truth, it rings a bell. This book is written in such a way that many people who might not hear it from their mother, their preacher, their prophet or their scripture, they are hearing it in this book.
CNN: Tell me about being vegan.
Simmons: I've been vegan for more than 10 years. It's maybe the worst disaster in human history -- 15 billion suffering farm animals. And I don't want to participate in it. I'm 53 years old, and do I look sick to you? I don't eat animal or animal products, and I feel fine. I feel pretty healthy.
CNN: What are your favorite dishes?
Simmons: I like this spicy tempeh dish. I like that a lot. People ask my favorite stuff, and I say the thing in front of me a lot. Right now if I weren't on a liquid diet, if I had an avocado roll and some soy sauce, it would be that.
CNN: What can people learn from your book?
Simmons: I hope people become more compassionate and happier, and I guess the fringe benefit is they will be successful in the world.
Jay-Z can now add best-selling author to his list of accomplishents, which includes marrying Beyonce and becoming half of one of the most powerful couples in entertainment. Jay's Decodedhas debuted in third place on the New York Times Best Sellers list.
MTV reports that former U.S. president George W. Bush's Decision Points remains in the top spot of the Hardcover Nonfiction list for its second week, while Laura Hillenbrand's Unbroken was the top debut, coming in at #2.
Decoded is a collection of Jay-Z's lyrics deconstructed with the help of co-author Dream Hampton.
The rapper and businessman-turned-author held a big promotional blitz for Decoded. This included appearances on the Late Show With David Letterman, Charlie Rose and The Daily Show With Jon Stewart, as well as a scavenger hunt game, for which he partnered with Bing and in which fans searched for pages of the book scattered across global cities.
In a recent list by thesmokinggun.com, documents reveal that the Toronto rapper pulls in over $100,000 dollars per show.
His estimated total per show of $155,000 per show, currently makes him among the highest-paid acts in all of Hip Hop that are CURRENTLY touring.
However, Drake's dominance in Hip-Hop is nowhere as dominating to the Country and Pop scene. The list reveals some of the others acts who receive more than Drake, and topping inat number one are the "Rascal Flatts," who make more than 4 times what Drake makes per show.
Peep the list below to see who is charging the big bucks to satisfy their fans, and how far Drake has come before even dropping his sophomore album, Take Care.
Rascal Flatts $702,500 *
Kiss $500,000 *
Keith Urban $487,500 *
Drake $155,000
Selena Gomez $100,000
Kelly Pickler $40,000 **
Kris Allen $12,500
Chris Young $7,500 ***
* Represents a minimum guaranteed fee. This figure can increase based on gross box office sales, a percentage of which goes to the artist once receipts exceed a contractually stipulated amount.
** Pickler finished sixth during the fifth season of “American Idol.”
*** Young is a former winner of the “Nashville Star” reality TV show.
I'm a hustler, homie/ You're a customer, crony From the first time I rapped the line "You like Dom, maybe this Cristal will change your life" on my first album, hip-hop has raised the profile of Cristal. No one denies that. But we were unpaid endorsers of the brand — which we thought was okay, because it was a two-way street. We used their brand as a signifier of luxury and they got free advertising and credibility every time we mentioned it. We were trading cachet. But they didn't see it that way.
A journalist at The Economist asked Frederic Rouzaud, the managing director of the company that makes Cristal: "Do you think your brand is hurt by its association with the 'bling lifestyle'?" This was Rouzaud's reply: "That's a good question, but what can we do? We can't forbid people from buying it." He also said that he looked on the association between Cristal and hip-hop with "curiosity and serenity." The Economist printed the quote under the heading "Unwelcome Attention." That was like a slap in the face. You can argue all you want about Rouzaud's statements and try to justify them or whatever, but the tone is clear. When asked about an influential segment of his market, his response was, essentially, well, we can't stop them from drinking it. That was it for me. I released a statement saying that I would never drink Cristal or promote it in any way or serve it at my clubs ever again. I felt like this was the bullshit I'd been dealing with forever, this kind of offhanded, patronizing disrespect for the culture of hip-hop.
Why not just say thank you and keep it moving? You would think the person who runs the company would be most interested in selling his product, not in criticizing — or accepting criticisms of — the people buying it. The whole situation is probably most interesting for what it says about competition, and the way power can shift without people's being aware of it. It's like in chess, when you've already set up your endgame and your opponent doesn't even realize it. What a lot of people — including, obviously, The Economist, Cristal and Iceberg — think is that rappers define themselves by dropping the names of luxury brands. They can't believe that it might actually work the other way around. Everything that hip-hop touches is transformed by the encounter, especially things like language and brands, which leave themselves open to constant redefinition. With language, rappers have raided the dictionary and written in new entries to every definition — words with one or two meanings now have 12. The same thing happens with brands — Cristal meant one thing, but hip-hop gave its definition some new entries. The same goes for other brands: Timberland and Courvoisier, Versace and Maybach. We gave those brands a narrative, which is one of the reasons anyone buys anything: not just to own a product, but to become part of a story.
Cristal, before hip-hop, had a nice story attached to it: It was a quality, premium, luxury brand known to connoisseurs. But hip-hop gave it a deeper meaning. Suddenly, Cristal didn't just signify the good life, but the good life laced with hip-hop's values: subversive, self-made, audacious, even a little dangerous. The word itself — Cristal — took on a new dimension.
It wasn't just a premium champagne anymore — it was a prop in an exciting story, a portal into a whole world. Just by drinking it, we infused their product with our story, an ingredient that they could never bottle on their own. Biggs first put me on to Cristal in the early days of Roc-A-Fella. We were drinking it in the video for "In My Lifetime" in 1994. We didn't have a record deal yet, but back then we'd show up at clubs in Lexuses and buy bottles of Cristal, while most people in the clubs were buying Moët. It was symbolic of our whole game — it was the next shit. It told people that we were elevating our game, not by throwing on a bigger chain, but by showing more refined, and even slightly obscure, taste. We weren't going to stick to whatever everyone else was drinking or what everyone expected us to drink. We were going to impose our sense of what was hot on the world around us. When people all over started drinking Cristal at clubs — when Cristal became a household name among young consumers — it wasn't because of anything Cristal had done. It was because of what we'd done. If Cristal had understood this dynamic, they never would've been so dismissive. The truth is, we didn't need them to tolerate us with "curiosity and serenity." In fact, we didn't need them at all.
Lil Wayne Stands Dangerously Close To A Raging Inferno, Putting Both Him and His Two Mistresses In Immediate Danger
Actual lyrics:
I’m the Fireman Fire, Fa, Fireman I got that fire I’m hollering I got that fire come and try me and You can spark it up and I’ma put you out You can spark it up and I’ma put you out
Ain’t nobody fucking with me man, Heatman Ski Mask spending next weeks cash, he fast And I don’t even need a G pass I’m pass that I’m passing em out now and you can’t have that And my chain Toucan Sam That tropical colors you can’t match that Gotta be abstract You catch my gal legs open betta smash that Don’t be surprise if she ask where the cash at I see she wearing them jeans that show her butt crack My girls can’t wear that why, that’s where my stash at I put my mack down that’s where you lack at She need her candlelit and I’ma wax that
Translation:
I’m currently employed by your municipality as a fireman
Inferno, Inf-Inferno-Man
I’m currently surrounded by flames so I’m hollering
I’m currently surrounded by a raging inferno, try to come near me
You can add kindling to the fire, I will extinguish you outright
You can add kindling to the fire, I will extinguish you outright
No one in my general vicinity is having sex with me man, I’m the Heat-Man
My inanimate ski-mask is spending next week’s income with great speed
A county employee such as me does not require a “G” pass, I’m past that
I’m handing them out now, and there’s absolutely nothing you can do about that
And my necklace resembles the popular avian mascot of Fruit Loops Cereal, Toucan Sam
Flamboyant polychromatic shades, you can’t coordinate with that
Gotta be abstract
If you see my duchess with her legs open, I urge you to destroy that
Don’t be bamboozled if she inquires about the whereabouts of your assets
I see that her garb puts her rear-end on display
None of my dames are allowed to wear that
Why? Because I utilize that space as a safe for my many possessions
I put my migratory surface-dwelling predatory fish (mackerel) down
She requires my services to light her candle, but she lacks the necessary wax
I’m currently employed by your municipality as a fireman
Inferno, Inf-Inferno-Man
I’m currently surrounded by flames so I’m hollering
I’m currently surrounded by a raging inferno, try to come near me
You can add kindling to the fire, I will extinguish you outright
You can add kindling to the fire, I will extinguish you outright