The Clandestine World of #John Mulholland
At mid-century The Sphinx stood as America’s oldest and most prestigious magic magazine. Over its five-decade history, it had become part of the lifeblood of the conjuring world. Then, on June 29, 1953, John Mulholland wrote a letter to journal’s subscribers. “This is to inform you that as of June 1, 1953, the publication of The Sphinx has been suspended. The immediate cause is that my health does not permit me to do the necessary work. My Doctor orders me to confine my efforts at this time to the shows by which I earn my living.” [1]
It was true that Mulholland's health was not good. An inveterate smoker, he suffered from ulcers, stomach disorders and arthritis. Editing The Sphinx for twenty-three years had taken a physical and financial toll. But rather than limiting his activities to his live performances, Mulholland had actually embarked on a new endeavor…an endeavor far more secretive than anything in the realm of conjuring. He had entered a world of covert operations, espionage, mind control, drugs, and even death. John Mulholland had gone to work for the CIA.
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At the time, John Mulholland was one of America’s most highly regarded magicians. An outstanding stage as well as close-up performer, he had become a noted author, lecturer, historian, collector, editor, and world traveler. In many ways, he had helped make magic intellectually respectable.
Mulholland was born in Chicago, Illinois, on June 9, 1898. As a five-year old, he sat enthralled by a performance of Harry Kellar’s. It would begin a lifelong love of conjuring. His family moved to New York when he was quite young and it was there that he began to learn the techniques of the craft. At age 13 Mulholland began taking magic lessons from John William Sargent at $5 an hour. Known as “The Merry Wizard,” the gray-haired, goatee’d Sargent had been President of the Society of American Magicians in 1905-6 and would later serve as Harry Houdini’s secretary from 1918 until 1920. He was a true mentor to young Mulholland and instilled in him not only an appreciation of the art of magic but of its theory, history, and literature.
Mulholland learned his lessons well. He made his debut as a performer when he was 15. While he would be later regarded as one of magic’s great scholars, his academic achievements were somewhat limited. He took a number of courses at both Columbia University and at New York’s City College, but did not attain a degree. From 1918 to 1924, he taught industrial arts at the Horace Mann School in New York. He sold books for a while and then taught at Columbia University before embarking on a career as a full time professional magician.
Over the years, Mulholland developed an enormous range of presentations. He was equally at home performing close-up magic, entertaining a society dinner, or working the mammoth stage at Radio City Music Hall. In 1927 Mulholland gave a lecture in Boston about the magicians of the world, illustrating each vignette with a trick from that nation. It added a new genre for him and for the profession: the magician as lecturer.
After the death of Dr. A. M. Wilson in April of 1930, he took over editorship of The Sphinx. For the next 23 years he would oversee magic’s most influential periodical. He was a prolific writer. Aside from the vast number of articles he penned, he authored such books as Magic in the Making (with Milton M. Smith in 1925), Quicker than the Eye (1932), The Magic and Magicians of the World (1932), The Story of Magic (1935), Beware Familiar Spirits (1938), The Art of Illusion, (1944) reprinted as Magic for Entertaining, The Early Magic Shows (1945), John Mulholland’s Book of Magic (1963), Magic of the World (1965) and The Magical Mind -- Key to Successful Communication (with George Gordon in 1967). He had also co-wrote a 1939 magic-detective novel, The Girl in the Cage, with Cortland Fitzsimmons.
Over the years, he amassed one of the world’s finest collections of magic books and memorabilia. His library housed some 4,000 volumes related to conjuring.
His knowledge of tricks seemed inexhaustible, as was his familiarity with the performance, theory, psychology, history, and literature of magic. He served as the consultant on conjuring to the Encyclopedia Britannica and the Merriam-Webster dictionary and at one time was the only magician listed in Who’s Who in America.
***
As America entered the 1950’s, the world around John Mulholland was changing. The Cold War was at its height. U.S. foreign policy had gone from trust to terror. In June of 1950, over one hundred thousand soldiers from Communist North Korea crossed the thirty-eighth parallel, invading the republic to the South. The previous year, Soviet Union had detonated its first atomic bomb. The stakes had become enormous. The consequences of military confrontation could well be global thermonuclear war.
American policy-makers decided that other means – covert means — would have to be instituted to stop the expansion of communism. As a secret study commission under former President Hoover put it:
"It is now clear we are facing an implacable enemy whose avowed objective is world domination by whatever means and at whatever cost. There are no rules in such a game. Hitherto acceptable longstanding concepts of ‘fair play’ must be reconsidered. We must develop effective espionage and counterespionage services and must learn to subvert, sabotage, and destroy our enemies by more clever, more sophisticated, and more effective methods than those used against us."
The vehicle for this effort was the Central Intelligence Agency.
Within the Agency, there was a concern – almost a panic – that the Russians had developed a frightening new weapon: a drug or technology for controlling men’s minds. A new term had entered the lexicon: “brainwashing.” At show trials in Eastern Europe, dazed defendants had admitted to crimes they hadn’t committed. American prisoners of war, paraded before the press by their North Korean captors, “confessed” in Zombie-like fashion that the US was using chemical and biological warfare against them. When George Kennan, the US Ambassador to the Soviet Union, made some inexplicably undiplomatic remarks at a press conference and was declared persona non grata by the Kremlin, American intelligence officials wondered if he had been hypnotized or drugged.
The CIA leadership feared a “mind control gap.”
The Search for a Manchurian Candidate
In early April of 1953, Director of Central Intelligence Allen Dulles outlined to a Princeton audience the urgency of the situation. Describing “how sinister the battle for men’s minds has become in Soviet hands,” Dulles revealed that the Russians had developed “brain perversion techniques” which must be countered at any price.
The CIA had already begun crafting this counter. On April 3, 1953 Richard Helms, the Agency’s Acting Deputy Director, had proposed an "ultra-sensitive” program of research and development in clandestine chemical and biological warfare.
The goal, Helms wrote, was “to develop a capability in the covert use of biological and chemical materials. This area includes the production of various physiological conditions which could support present or future clandestine operations. Aside from the offensive potential, the development of a comprehensive capability in this field of covert chemical and biological warfare gives us a thorough knowledge of the enemies theoretical potential, thus enabling us to defend ourselves against a foe who might not be as restrained in the use of these techniques as we are. For example: we intend to investigate the development of a chemical material which causes a reversible non-toxic aberrant mental state, the specific nature of which can be reasonably well predicted for each individual. This material could potentially aid in discrediting individuals, eliciting information, implanting suggestion and other forms of mental control." [2]
The “offensive potential” was unstated, but the aim was clear: to create what later would be known as a “Manchurian Candidate.” The term would come from the title of Richard Condon’s 1959 best seller about a plot to take an American soldier captured in Korea, condition him at a special brainwashing center in Manchuria, and create a remote-controlled assassin programmed to kill the President of the United States. Condon’s book was fiction; the Helm’s plan was not.
In fact, the CIA had already begun exploring the use of chemicals to influence thought and action as well as to incapacitate and even kill. Of particular interest to the Agency was the potential the hallucinogen LSD had in this arena.
Discovered by Dr. Albert Hoffman on April 16, 1943, d-lysergic acid diethylamide -- or LSD as it would become known -- seemed to be a drug custom-made for the intelligence community. Its intense potency in even miniscule amounts would make it easy to administer covertly. The sense of euphoria and hallucinations that accompanied it might well lead those under interrogation to drop their guard and inhibitions, enabling a free flow of information. Some believed the chemical might even be used to alter the state of a persons being -- to convert an enemy agent, to dishearten idealistic adversaries, to reprogram a person's memory or thoughts, to get an individual to do something he or she otherwise would never do.
The proposed CIA work on drugs and mind manipulation was to remain one of the Agency’s deepest secrets. "Even internally in the CIA, as few individuals as possible should be aware of our interest in these fields and of the identity of those who are working for us." [3]
On April 13, 1953 Allen Dulles approved the project. The program was to be known as "Project MKULTRA. [4] The “ULTRA” hearkened back to the most closely guarded American-British secret of the Second World War: the breaking of Germany’s military codes. The “M-K” identified the initiative as a CIA Technical Services Staff (TSS) project. This was the division within the Agency responsible for such things as weapons, forgeries, disguises, surveillance equipment and the kindred tools of the espionage trade. Within the TSS, MKULTRA was assigned to the Chemical Division (TSS/CD), a component with functions few others – even within the Technical Services Staff – knew about.
This unit was headed by Sidney Gottlieb, then a 34-year old Bronx native with a Ph.D. in chemistry from the California Institute of Technology. A brilliant biochemist, Gottlieb was a remarkable, albeit eccentric, man. A socialist in his youth and a Buddhist as an adult, he was on a constant search for meaning in his life. He found some of it in an unrelenting passion for his clandestine labors. He did not appear to be the least bit troubled by the moral ambiguities of intelligence work. He would do virtually anything if he believed it to be in the American interest. Overcoming a pronounced stutter and a clubfoot to rise through the ranks of the CIA, he would later describe himself as the Agency’s “Dr. Strangelove.” Others were less kind. Alexander Cockburn and Jeffrey St. Clair termed him America’s “official poisoner.” [5]
The very same day that Allen Dulles approved Project MKULTRA, Sidney Gottlieb went to see John Mulholland.
Gottlieb knew how to mix the potions. The question was how to deliver them secretly.
Mulholland agreed to help.
A Magician Among the Spies
Gottlieb wanted Mulholland to teach intelligence operatives how to use the tools of the magician’s trade – sleight of hand and misdirection – to covertly administer drugs, chemicals and biological agents to unsuspecting victims.
Why Mulholland decided to do this is a matter of some conjecture. The world was a far different and more dangerous place in the early months of 1953 than it is today. The war raged in Korea. The bloody battles of Pork Chop Hill, Eerie and Old Baldy were headline news. Some 50,000 American servicemen had already lost their lives in the conflict and more than 7,000 were prisoners of war. Stalin’s death in March raised tremendous concern about stability in the Kremlin. In the United States, Senator Joseph McCarthy’s anti-Communist crusade was raging. The prevailing mood was one fear, perhaps even paranoia.
“John did not have a political agenda,” says George Gordon, a close friend with whom Mulholland would later write The Magical Mind. “He said ‘yes’ because his government asked him to.”
Mulholland had an enormous sense of public duty. He took great pride in his contributions, however small. That a special edition of his book The Art of Illusion had been printed in a format so that its 160 page text could fit into the shirtpockets of World War II servicemen gave him great satisfaction.
He was very aware of the role other magicians had played in aiding their countries in times of trouble. He had written and lectured about Robert-Houdin’s 1856 mission on behalf of Napoleon III to help quell the Mirabout-led uprising in Algeria. And he was very familiar with the camouflage work Jasper Maskelyne had done for the British government during the Second World War.
Furthermore, the leaders of America’s intelligence community were the kind of men Mulholland could easily like and admire. General William “Wild Bill” Donovan, the founder of the Office of Strategic Services, America’s World war II spy agency liked to hire Wall Street lawyers and Ivy League academics to commit espionage. He filled the secret service with confident, intelligent, often daring young men from leading eastern colleges. By the time the CIA was established in 1947, these were the people who ran America’s covert operations. Within the inner circles of American government, they were regarded as the best and the brightest. They planned and acted to keep the country out of war by their stealth and cunning – two qualities Mulholland long admired.
They were also America’s elite. Steward Alsop noted they were called “the Ivy Leaguers, the Socialites, the Establishmentarians.” He himself coined an alternative epithet: “the Bold Easterners.” The CIA, he said, was “positively riddled with Old Grotonians.” [6]
The men heading the CIA effort that Mulholland had been asked to join certainly fit this picture. The Princeton-educated Allen Dulles had been associated with the prestigious Wall Street law firm of Sullivan and Cromwell. His grandfather John W. Foster had been Secretary of State as had been his uncle-by-marriage Robert Lansing. A secret agent in both world wars, Dulles looked like an avuncular professor with his white brush moustache, his tweed suits, and his ever-present pipe. But behind the jovial exterior was a hard and determined leader. His brother John Foster Dulles became Secretary of State on January 31, 1953. Allen took up the CIA post twenty-six days later.
His deputy, Richard Helms, had a different personality but similar roots. His education had included a year at an exclusive Swiss boarding school and another year in Germany. A Williams graduate, he tried his hand at journalism before joining the OSS. He served with Dulles in Germany and stayed within the intelligence community after the war. This prudent, professional spy – the chief of operations of the clandestine services -- could be seen playing tennis at the Chevy Chase Club on Sunday mornings clad in long white flannel trousers.
It may not be surprising that John Mulholland, who spent much of his career among in New York’s fashionable society, would find such men fascinating. As Jean Hugard wrote to Orville Meyer: “I believe in reality he (Mulholland) has an inferiority complex. He doesn’t mix with us poor mortals.” [7]
If “The Very Best Men” who made up the CIA were to the magician’s liking, the converse was also true. John Mulholland was precisely kind of person the Agency wanted and needed. Here was a man with a remarkable knowledge of the art of deception – its tools, its techniques, its psychology. And he knew how to keep a secret. Not only had Mulholland made a living from the execution of these skills, he had gained a reputation as conjuring’s most accomplished teacher. By look and demeanor, the magician fit the Agency mold. While his roots were not really Eastern establishment, the tall, slender Mulholland with his prominent nose and thatch of gray hair certainly looked the part. He had entrée to a wide circle of business, governmental, social, academic, and entertainment leaders. A world traveler, he was equally at home on the New York City subway system or entertaining the Sultan of Sulu or the King of Romania.
How and when Mulholland came in first contact with the CIA remains unknown. Evidence suggests that it was in 1952, perhaps earlier. By March of 1953, he was certainly consulting for the Agency and being paid for these “professional services.” Inasmuch as he was billing the government on a biweekly basis, it seems apparent that this was ongoing work with at least some of it related to development of Project MKULTRA. [8]
During their April 13 conversation, Sidney Gottlieb asked Mulholland to put together a proposal for an operations manual applying the magician’s art to clandestine activities. Mulholland summed up his suggestions as to what this covert guide would have to contain in a letter that he sent to Gottlieb the following week.
“I have given the subjects we discussed considerable thought,” Mulholland wrote. “Below is outlined what I believe is necessary adequately to cover instructions for the workers.
“1. Supplying…background facts in order that a complete novice in the subject can appreciate the underlying reasons for the procedures suggested. Part of this background would clarify the erroneous opinions commonly held by those who are familiar with (magician’s techniques). In this section would be given alternative procedures, or modifications, needed by different types of operators (differences in fact or assumed), as well as changes in procedure needed as situations and circumstances vary. The material is necessary in order for the operator to be able to learn how to do those things which are required…
“2. Detailed descriptions of (covert techniques) in all those operations outlined to me. Also variations of techniques according to whether material is in a solid, liquid or gaseous form. Included would be explanations of (the skills) required and how quickly to master such skills. It is understood that no manipulation will be suggested which requires (actions) not normally used, nor any necessitating long practice. To state this positively: all (covert techniques) described would be adaptations of acts usually performed for other purposes. Descriptions also would be given of simple mechanical aids, how to make them, and how to carry them about. Where needed, application of the data given in section 1 would be supplied. The time consuming part of writing this section will be in developing the adaptations and modifications of the best existing (methods) to fit new requirements.
“3. A variety of examples to show in detail how to make use of the (techniques) previously described. These examples would be given with varying situations and the ways to accommodate procedure to meet variations.
“If desired, I am prepared to start work on this project immediately. I believe I can complete the proposed writing in eighteen to twenty weeks. I understand, if I am given this assignment, that you, or your representative, would be willing to check my work at a conference approximately every two weeks.”
Mulholland estimated that the cost for him to do write the manual would be $3,000. [9]
The Secret Book of Secrets
Gottlieb was very enthusiastic about Mulholland’s approach and wanted to move ahead quickly. On May 4, he drafted a Memorandum for the Record spelling out what Mulholland was to do:
“1. The scope of this subproject is the collection, in the form of a concise manual, of as much pertinent information as possible in the fields of (magic as it relates to covert activities). The information collected will be pertinent to the problem of (surreptitiously administering) liquid, solid, or gaseous substances to (unknowing) subjects.
“2. The information will be collected principally from the previous studies made by Mr. Mulholland in connection with various problems he has considered. Mr. Mulholland seems well qualified to execute this study. He has been a successful (performer) of all forms of prestidigitation. He has made a careful and exhaustive study of the history of prestidigitation and is the possessor of an extensive library of old volumes in this field. He has further seriously studied the psychology of deception and has instructed graduate students...
“3. The period of time covered by this request covers six months from the date of commencement of work by Mr. Mulholland and the costs will not exceed $3,000.”
Mulholland’s proposal was approved that same day and $3,000 was set aside to cover its cost. It would become Project MKULTRA, Subproject 4. [10]
MKULTRA – and its component parts – had already become one of the Agency’s most secret operations. Mulholland’s work, along with that of others working on the project, was considered “ultra sensitive.” Consequently, there would be no formal documents that would associate CIA or the Government with the work in question. Instead, the Technical Services Staff was to reach “an understanding with the individuals who will perform the work as to the conditions under which the work will be performed and reimbursement arranged. No standard contract will be signed.” [11]
On May 5, Gottlieb, in accordance with this procedure, wrote the magician that “The project outlined in your letter of April 20 has been approved by us, and you are hereby authorized to spend up to $3,000 in the next six months in the execution of this work.” No contract or formal agreement was enclosed or ever signed per CIA policy. However, the letter did include a check for $150 to cover Mulholland’s latest work for the agency (March 18th – April 13th). In terms of when Gottlieb and Mulholland could next meet, the chemist noted “A very crowded schedule of travel makes it necessary for us to delay until June 8th our next visit with you. An effective alternative to this would be for you to come..on May, 13, 14, or 15 to discuss the current status of the work. Is this possible?” [12]
Mulholland wrote Gottlieb back on May 11. “Thank you for the notification that my project has been approved. I understand the stipulations. I am resuming work today.” Enclosed was a signed receipt for the check and a notation that Gottlieb’s missive had taken longer than expected to reach him. “Due to the fact that your letter was addressed to (a former address), it was delayed in reaching me. That was an apartment from which I moved …years ago. The fact that the letter did reach me shows the cordial relationship I have with my local Post Office. My present address is above.” [13] He made no comment on how such an error could occur on such a confidential issue.
Mulholland was keenly aware of the project’s sensitivity. Among the stipulations was a commitment to total secrecy. Even the manuscript itself would have to be written in a manner that protected the Agency should it fall into the wrong hands. There would be no references to “agents” or “operatives.” Instead, covert workers would be called “performers;” covert actions would simply be labeled “tricks.”
Mulholland immediately set about the task of researching and writing the manual. While he continued his performance schedule, he cleared his calendar of other commitments. He stopped giving magic lessons, put off work on other writing assignments, and suspended publication of The Sphinx.
Ending The Sphinx was a major step for Mulholland and for the magic community. Begun in Chicago in March of 1902 and subsequently housed in Kansas City and finally New York, this staid yet controversial periodical had become the most influential of magic journals. Mulholland had taken over the publication with Volume 29 Number 3 in May of 1930. [14] It was a source of great joy for him. It was also a tremendous burden.
“For 23 years, I have edited The Sphinx as a labor of love and without financial reward. Each of these years I have spent a great amount of time, and considerable money, to produce a magazine of service to the professional magician and to the serious student of magic. The magazine has been a professional publication and never has catered to those who look on magic as a sort of game. I realized I could not go on forever and for the past several years I have been searching for some individual, or group, qualified to take over the editing and publication of The Sphinx and maintain its standards. I found no such person, or persons, and until such is, or are, found the publication of the magazine will be suspended.
“I wish to express my appreciation to the many loyal readers, and above all to the contributors who made my editorship such a rewarding endeavor. It has been a source of deep personal gratification to know how well The Sphinx has been received during the years.” [15] The final issue, the 597th, was Volume 52, #1, dated March 1953.
For the next several months, he worked continuously on the MKULTRA project. [16] He soon found, however, that if it were to meet the CIA’s expectations, his manual would have to be far more than a hypothetical extension of existing magic tricks, principles and methods to covert activities. He was going to have to create real world solutions to real world problems. He and Gottlieb discussed the challenge.
On August 3, Gottlieb set up a new subproject (Subproject 15) in order "to expand the original provisions of subproject 4 to include an allowance for travel for Mr. Mulholland and for operational supplies used in the course of this project.” Mulholland and the Agency, Gottlieb wrote, needed to meet more frequently in order to consult on the details of the manual and the travel allowance would facilitate Mulholland’s coming to Washington for some of these discussions. Furthermore, he noted, “Certain portions of subproject 4 require experimental verification by Mr. Mulholland. The item for operational supplies is intended to provide for the purchase of supplies used to test or verify ideas. The cost estimate for subproject 15 is $700.00 for a period of six months.” [17]
Even with these additional resources, Mulholland found the project a greater challenge than he expected. Getting it right was imperative. The consequences of a magic trick going wrong might be embarrassment or a decline in bookings; a covert operation going bad could cost an agent his or her life. He met with Gottlieb in late summer to discuss the matter. Gottlieb agreed to consider extending the time to meet this need.
On September 18, Gottlieb filed an amendment to the MKULTRA Project Records that noted “The time period for the original proposal by Mr. Mulholland was six months, which would expire about 11 October 1953. The unusual nature of this manual demands that it be a creative project… rather than a mere compilation of already existing knowledge. For this reason the time estimates are difficult to make in advance and it is apparent at this time that the estimate was too short for the adequate preparation of this manual. It is in the best interests of the Agency to extend this time limit and obtain the best possible manual rather than hold Mr. Mulholland to the six-month period. It is requested that the original six month time period be extended an additional six months. There is no change in the original cost estimate or the original agenda.” [18]
That same day, Gottlieb wrote to Mulholland: “This is at least a partial answer to the questions you asked the last time I saw you. According to my records, your initial estimate was six months, which would expire about October 11, I am initiating a six month extension of the original estimate, which should more than take care of the time factor. The original cost was $3,000.00, of which $1,500.00 is remaining as of now. [19]
Mulholland devoted his energies to the project and by November his first draft was complete. But neither the magician nor the Agency were completely satisfied with the product. As Mulholland wrote Gottlieb on November 11:
"The manual as it now stands consists of the following five sections:
"1. Underlying bases for the successful performance of tricks and the background of the psychological principles by which they operate.
"2. Tricks with pills.
"3. Tricks with loose solids.
"4. Tricks with liquids.
"5. Tricks by which small objects may be obtained secretly. This section was not considered in my original outline and was suggested subsequently to me. I was, however, able to add it without necessitating extension of the number of weeks requested for the writing. Another completed task not noted in the outline was making models of such equipment as has been described in the manual."
"As sections 2,3,4, and 5 were written solely for use by men working alone the manual needs two further sections. One section would give modified, or different, tricks and techniques of performance so that the tricks could be performed by women. The other section would describe tricks suitable for two or more people working in collaboration. In both these proposed sections the tricks would differ considerably from those which have been described.
"I believe that properly to devise the required techniques and devices and to describe them in writing would require 12 working weeks to complete the two sections. However, I cannot now work on this project every week and would hesitate to promise completion prior to the first of May, 1954." [20]
Mulholland estimated that it would cost $1800 to finish the project. [21]
Gottlieb, whose goal was an operational guide that would be of use to agents in the real world, shared Mulholland's view that broadening its scope to include collaborative efforts by teams of operatives or by female agents was well worth the delay. On November 17, he authorized Mulholland to draft the two additional chapters and extended the timeline for completion of the book until May. This new work became MKULTRA Subproject 19. [22]
Impressed with Mulholland’s range of knowledge and analysis, the CIA was beginning to extend its relationship with the magician beyond just the preparation of the covert operations manual. By now, the Agency was utilizing more and more of his expert advice. His ongoing meetings with the TSS staff accelerated. In December 9, Gottlieb expanded MKULTRA’s Subproject 19 to increase the travel and operational supplies available to Mulholland and to provide for even more consultation between the conjuror and CD/TSS. At the same time, he was asked to take on yet another assignment: to work with the Agency “in connection with an investigation of claims in the general field of parapsychology…” [23]
The CIA was fascinated by the idea of mind reading and thought transmittal. If possible, such extrasensory abilities would be among the most potent weapons in their arsenal. It would revolutionize both the obtaining and the delivery of secret information. At one point, the Agency had been approached by a man claiming to be a “genuine mystic” who had developed a system for sending and receiving telepathic messages anywhere in the world. Mulholland’s task was to evaluate this and other claims of telepathy and clairvoyance.
Mulholland, a hard-nosed skeptic, was right at home investigating the paranormal. He had been lecturing on the topic since 1930, when he began exposing the means and methods of fortunetellers. He soon broadened this to debunk and denounce other forms of occultism. By 1938, he had written a book on the subject, Beware Familiar Spirits, which traced the history of modern spiritualism and described its techniques. He had no interest in letting the assertions of “mystics,” clairvoyants and mind readers go unchallenged.
With increasing frequency, someone inside the Agency would want an explanation for something they had seen or heard and Mulholland was asked to explain it. In virtually every case it would turn to have been accomplished through the stagecraft of magic. This would not stop the CIA – or other branches of the United States Government – from spending enormous resources over the next three decades to explore the possibilities of parapsychology and remote viewing.
With this additional work at hand, it was soon evident that Mulholland would not be able to have the manual finished as anticipated. "An extension of time is needed to give Mr. Mulholland more time to complete this task,” Gottlieb wrote. “The original estimated completion date was May 1, 1954. It is noted that the completion date estimate is now extended to November 1, 1954.” [24]
In the spring of 1954, Mulholland found himself facing an unforeseen problem. Much of his income for the previous year had come from the CIA for work that he knew was to be kept absolutely secret…even from other branches of the United States Government. But now it was time for him to prepare his taxes. Mulholland requested instructions from the Agency on how he was to report this income to the Internal Revenue Service and what he should do if he were audited or questioned by the IRS.
An internal CIA memo spelled out the problem: "Mr. Mulholland is a self employed magician whose normal income is derived from payment by various individuals and organizations for individual performances. Although not applying to calendar year 1953, other characteristic sources of income are from publishers of books, etc., and from individuals to whom he has given instructions in magic. When preparing his Federal Income Tax form, income is customarily listed by individual performances, etc., with the person or organization paying for the performance, the location of the performance, the amount received, and the deductions itemized for each performance or each source of funds, rather than for a standard deduction to be taken. As may or may not be characteristic with professional performers, these deductions are often questioned by the Internal Revenue people, and Mr. Mulholland is frequently called on to justify some of his deductions. For this reason, a detailed record book is kept of his income, with a separate page for each performance or source of income.”
While acknowledgement of the magician receiving payments from the Agency was not felt to be a breach of security in itself, the CIA believed that it was absolutely imperative that the nature of Mulholland’s work be kept from IRS scrutiny. "After several conferences with the Assistant General Counsel of the Agency, and the Security Officer for TSS, the following was recommended: Mr. Mulholland should report all funds received from CD/TSS except for funds for travel expenses, but no attempt should be made to itemize deductions based on these funds. Income tax should be paid on the entire amount reported. Mr. Mulholland should determine a conservative value for the amount of tax paid in excess of what would have been paid if reasonable deductions were made. The reason for this was the feeling that any questions by the Internal Revenue people concerning funds paid by CD/TSS would be prompted by questions on deductions made. It was recommended that the excess tax paid by Mr. Mulholland be refunded by the CD/TSS.” [25] This recommendation was immediately accepted “to protect the security of the Agency.” [26]
Mulholland followed the Agency’s instructions and was reimbursed by the CIA for the excess taxes that resulted from this approach [27] Subproject 15 was expanded to include this financial arrangement [28] and similar agreements were instituted for subsequent years in which he received remuneration from the Agency. [29]
Operational Applications of the Art of Deception
Mulholland continued work on the operational guide throughout the spring and summer. The text was completed by early fall. But the magician had one more task to do – to help prepare drawings, diagrams and photographs to illustrate the book’s proposed techniques [30] By winter, the manuscript was finally complete. It was titled Some Operational Applications of the Art of Deception.
“The purpose of this paper,” Mulholland wrote in the introduction, “is to instruct the reader so he may learn to perform a variety of acts secretly and indetectably. In short, here are instructions in deception [31]
The following eight chapters – illustrated with diagrams hand-drawn by Mulholland – ran over 100 pages and outlined how to apply the magician’s art to the needs of espionage and covert activity. It covered how to administer pills, liquids, gasses and loose solids surreptitiously. It discussed means of obtaining small objects secretly. It proposed strategies and tactics to fit the needs of female agents. And it put forth techniques that could be used by teams of men working in tandem. All this was set forth in language that adhered to the original stipulations put to Mulholland in April of 1953. The language of the manual had to sound like a simple magic text without any words or examples that would connect it to its true clandestine use.
But this was not some primer for amateur magicians to learn a few tricks. No matter how gentle the language, this was to be a guide for agents in the field to perform dangerous, provocative and even lethal acts. The solids, gases and liquids were not harmless substances. What Mulholland was teaching CIA operatives to do was surreptitiously administer mind-altering chemicals, biological agents, dangerous drugs, and lethal poisons in order to disorient, discredit, injure, and even kill people.
Today – five decades after it was written – the tricks and approaches set forth in this manual are still classified “top secret.”
Mulholland’s name appears nowhere on the document, but – consciously or not -- he did leave a subtle trace: the illustrations he sketched detailing facial expressions look very much like self-portraits. This notwithstanding, Some Operational Applications of the Art of Deception remains John Mulholland’s most secret book of secrets.
